About LARMAGAZINE

Who We Are

The magazine was founded by Catalina Restrepo and Judith Memun. The editorial team leads every edition across design, publishing and interactive projects.

LARMAGAZINE is a contemporary art magazine and interactive app publisher based in Monterrey, Nuevo León, México. The publication is built around a belief that art writing should not live only on the page, so its editorial identity blends traditional long-form journalism with moving image, sound, and immersive formats. Interviews sit alongside exhibition coverage and critical essays, and everything is edited for readers across Latin America and beyond. The magazine is produced bilingually, with material appearing in both English and Spanish so that the same conversation about contemporary practice can reach audiences with very different linguistic and cultural backgrounds.

The stated mission is straightforward to say and demanding to execute: innovate the way contemporary art content is presented and consumed. In practice that means treating an interview less as a transcript and more as a multimedia object, pairing an artist's words with video, audio, GIF, VR, and AR components that let a reader stand inside a studio, hear a room, or move through an installation. Print and screen are treated as complementary rather than competing versions of the same product, and the physical editions are conceived as collectible objects in their own right, printed several times each year for readers who value the tactile and archival pleasure of a magazine on paper.

The design language of the site mirrors that editorial ambition. A bright orange-amber serves as the primary accent against clean white space, with near-black and dark navy anchoring the footer and high-contrast passages of text. Headings are set in a geometric sans-serif system at bold weights and generous letter spacing, while body copy appears in a lighter, calmer register that keeps long articles readable. Small uppercase orange labels and underline strokes introduce each section, and thin teal outlines trace cards and bordered elements, adding a second, cooler accent to the warm palette.

Structure throughout follows the same modular logic. Content arrives in centered blocks with wide vertical padding between them, so the page breathes and each section reads as a deliberate chapter rather than a continuous scroll. Cards with sharp-to-slightly-rounded corners, hairline borders, and restrained drop shadows organise portfolios, recommended articles, issue listings, and contributor material into clearly separated units. Buttons and calls to action adopt a rounded-rectangle or pill shape filled in orange with white uppercase lettering, giving the interface a consistent voice. Section changes are signalled by alternating background colours instead of hard dividing lines, which keeps the layout airy and card-driven.

Beyond the magazine itself, the platform functions as a hub for the ecosystem around contemporary art. Interviews with artists, exhibition reports, portfolios, and critical writing are gathered under familiar editorial headings, and an issues archive allows earlier editions to be revisited. There is also a store, a school, and a magazine presence on other digital platforms, extending the conversation into related formats. A privacy policy, rights reserved notice, and copyright statement acknowledge the legal side of publishing, and the bilingual treatment of interface and editorial content reflects a commitment to serving an international readership interested in the contemporary art scene.